Like many artists I admire Emma Gates is dyslexic, and as she explained to me that means she struggles to express herself successfully using the written word. However, she is able to use visual art, in particular photography to explore narratives and tell stories, as well as documenting her life.
Emma studied for her photography degree at UCA as the world left the 20th century behind from 1999-2002 and then returned ten years later to do her masters. One ongoing conversation that Emma recalls from this period in education was about being a photographer versus being an artist that uses photography – a distinction that she feels is unnecessary. As she told me “I don’t think there is a difference really, just in other people’s perceptions of what you do. I hate the question what kind of photography do you do? So to be an artist gives permission to make without boundaries.”
As I’ve found with many artists, including myself, Emma prefers making projects of her own volition and avoids doing commissions, as she finds the process of working to someone else’s agenda creatively stifling. “I have a compulsion to record and document things that happen to me and things that interest me.” Gates’ work is intimately personal and derives its power from this, two of the projects that struck me most were about the death of her mother and the birth of her first son, which it turns out happened during the same academic year of her MA.
Emma is showing as part of MEDWAY OPEN STUDIOS 2017
The Shed, The Tack Room, Hulkes Lane, Rochester, ME1 1EE
Map No. 17 / Wheelchair accessible? No Although initially this body of work appears to be about men and their opinions, it becomes apparant that the work is about the control, risk and vulnerability of the lone female photographer. All explored against a backdrop of unexpected trust that is formed between artist and models. Sat 15: 10am – 5pm, Sun 16: 10am – 5pm, Thurs 20: 12pm – 8pm, Fri 21: 10am – 5pm, Sat 22: 10am – 5pm, Sun 23: 10am – 5pm firstname.lastname@example.org / www.emmagates.co.uk / 07944 699 723
The guide also outlines what to expect in the bag screening area, duty free regulations, customs, quarantine, transfers and immigration, and includes advice from people who have dementia and those who travel with them.
The Queensland University Technology-based Dementia Centre for Research Collaboration: Carers and Consumers (DCRC-CC), who developed the guide has been working with the airport since 2015 to improve the experience of air travel for people with dementia.
“Close to 47 million people worldwide live with dementia, including more than 413,000 Australians, but many still travel. Until now, no guidelines for dealing with such passengers existed for airlines, airports or carers,” says Professor Beattie, Director of the DCRC-CC, adding a previous DCRC-CC study found the most challenging part of air travel for people with dementia was managing at the airport.
Suggestions in the guide include visiting the airport beforehand to become familiar with the layout. “It can also be helpful to do a trial run with a short trips,” says Prof Beattie. “Another good idea is to plan flexible stopovers to allow gradual adjustment to different time zones. Even the choice of seating can be helpful.”
Julieanne Alroe, Brisbane Airport Corporation (BAC) CEO and Managing Director, says the resources kit would complement Brisbane Airport’s existing Disability Access program and be integrated into customer service training for airline staff and other airport workers, including retailers, security, cleaners and volunteers.
Professor Beattie also hopes the guide and staff training material can be adapted for use in other airports in Australia and worldwide, and in other formats, such as a mobile phone app.
A step-by-step guide takes users through the different zones of the airport (Source Brisbane Airport)
Alzheimer’s Australia CEO Maree McCabe says the Australian-first is a major step forward in making Australia more dementia-friendly. “Australia’s first dementia-friendly airport is a fantastic achievement and Alzheimer’s Australia congratulates everyone who has worked to see it become a reality,” she says.
“People living with a diagnosis of dementia can still enjoy travel, and may require some extra assistance to do so. This guide is fantastic in enabling people living with dementia and their carers to continue to do the things they enjoy, like travel, while assisting in navigating the airport, preparing and planning for travel.”
Ms McCabe points out no matter the size of the organisation, dementia-friendly principles could be achieved.
“Dementia-friendly may include changes to design, layout, signage and way finding or education of staff to be able to recognise and better assist a person living with dementia,” she says. “We expect this is just the beginning and look forward to working with many more organisations, large and small, to think about how they can become more dementia-friendly.”
The number of students dropping out from degree courses due to mental illness has increased significantly in recent years. Illustrator and student Ella Baron captures the experiences of 11 undergraduates
Is very much related to procrastinating on giving full attention to the close (at hand), in favor of something that is less immediate. Avoidance behavior is likely to involve a certain sense of trepidation in coming face to face with ‘oneself’. This action may relate directly to an inner state of enigmatic perplexity or through association.
When Post -Traumatic Stress Disorder has not been resolved, a mind-set of victimization can persist, even long after the event. You will see, quite often, that this role of ‘the victim’ is played out as a well structured character in order to attract attention, and doesn’t necessarily connect with the actual crisis moment. Keep in mind though, that at the core of this mindset, there is emotional residue at play due to Post-Traumatic Stress Disorder. Having been hurt in the past makes a person vulnerable to further hurt later on in life.
Flash-backs and Nightmares
Flashbacks are intrusive thoughts and memories that bring those suffering from Post-Traumatic Stress and PTSD face to face with fraught, overwhelming feelings of fear and helplessness. In theory, this is consciousness trying to come to terms with what is alive in the system. Unfortunately, in practice, it often leads to further psychological darkness and withdrawal symptoms. Nightmares related to PTSD are flashbacks in the dream state.
Post-Traumatic Stress Disorder and physical pain very often go hand in hand. When stress, as a result of trauma is unresolved, it settles in the body’s tissues which results in leaving residual patterns of constriction. We have also determined this as: a trauma vortex or energy cysts. These constriction patterns can be the cause of physical discomfort in themselves or take up so much energy that it will inhibit proper functioning of other systems in the body – think of the immune system, nervous system and/or digestive system. The most common chronic incidents of pain related to PTSD are in the joints, fibromyalgia and headaches/migraines.
Panic attacks go a step further than anxiety attacks do. They are often triggered by events or circumstances that are associated with past traumatic experience. This can be either on an unconscious level or consciously experienced with intrusive and overwhelming thoughts and feelings derived from past incidents. This often results in a variety of obsessive coping behavior and/or addictions. Think of: people avoidance, excessive (hand) washing, house cleaning, or substance abuse.
When emotion becomes too intense to be contained, or when there is a mixture of emotions emerging simultaneously. This can happen during or after the onset of trauma. Caution is advised for when this might happen during the therapeutic process, as it could easily lead to overwhelming emotional convulsions and possible re-traumatization. Crying, per se, doesn’t necessarily indicate that a person is in a state of uncontrollable, overflowing emotion.
PTSD causes a breach in the normal flow of energized resilience, within the nervous system. It will often lead to hyper-activation followed by a ‘breakdown’ when exhaustion starts to set in. Lethargy can possibly be related to the state of ‘breakdown’ of the nervous system. A person suffering from PTSD may well linger in this state in order to avoid dealing with high activation and associated feelings caused by trauma.
Post-Traumatic Stress, be it developmental or PTSD, takes up enormous amounts of energy. It is like an identity that needs to be constantly fed to keep itself alive. In time it can become a mindset that contributes to the avoidance of the underlying emotional turmoil. No amount of sleep will remove the feeling of exhaustion as its cause is on a mental-emotional level.
Denial is clearly a coping mechanism to avoid dealing with the emotional strain of Post-Traumatic Stress Disorder. Unfortunately it often becomes a ‘conditioned response’ mindset, a habit, and will be used not only when there is association with past traumatic incidents but throughout everyday life and social interactions.
Severe Somatic Reactions
Chronic pain is already a severe somatic reaction. Looking deeply into the affects of Post-Traumatic Stress Disorder, these can contribute to a wide variety of physical conditions. To name a few: heart attack, stroke, organ dysfunction, auto-immune diseases etcetera. It’s epidemic, if you ask me!
Is where the dissociative behavior, as a result of trauma, takes on a life of its own. The separation becomes so marked as to give off the appearance of separate identities taking control.
Considering PTSD – it is extreme internal conflict that results in the overwhelming of the nervous system resembling an epileptic seizure. It can be equally marked by: convulsive shaking tremors and an inability to communicate with others. Shock and the processes of trauma can also have some of these symptoms, but is definitely to a qualitatively different degree.
PTSD entails a breakdown of one’s identity through feelings of overwhelming helplessness. There is a deeply felt sense of loss of boundaries and containment. To compensate for that, or attempting to reclaim a sense of self, there can be the acting out of self-righteous behavior.
Diseases of the body garner sympathy, says comedian Ruby Wax — except those of the brain. Why is that? With dazzling energy and humor, Wax, diagnosed a decade ago with clinical depression, urges us to put an end to the stigma of mental illness.
For people living with an invisible illness, communicating that you to need to sit on a crowded public train or bus can be difficult if you look perfectly healthy. Fortunately, a sign posted in the Kilburn Station of the London Underground explains what passengers may be missing when a seemingly healthy looking person asks them for their seat.
The sign reads:
Please offer me a seat.
Our baby on board wearers all like to rest,
The old and less abled are put to the test,
But it isn’t just them, there are many cases,
Different people, different races,
Moving in pain and wearing a frown,
It might help them out greatly by just sitting sitting down,
But why would you want to give up your seat,
To someone who looks quite well and complete,
Some people have issues you just cannot see,
So don’t make them ask and don’t make them plea,
Please make an effort and please be aware,
Show them respect and show them you care,
Stand up and be counted, you’ll do a good deed,
Give up your seat to someone in need.
Transport for London (TfL), London’s department of transportation, has been trying to make public transportation more accessible for those with invisible conditions. This past September, TFL introduced a badge trial program for people with invisible disabilities.
“We appreciate that asking for a seat on public transport can sometimes be difficult, particularly for customers who have hidden disabilities or conditions. That is why we are launching this trial,” Mike Brown, London’s Transport Commissioner, said in a statement published by the TfL.
The badge, which reads “Please Offer Me a Seat,” was initially offered to 1,000 London travelers. An expanded program will be launched this spring.
A workshop for people who want to begin telling their stories and exploring healing through writing.This short, but insightful workshop is led by creative writing teacher Emelie Hill Dittmer. As an introduction, we will familiarise you with the first three steps in a process developed by the acclaimed Write Your Self (https://writeyourself.com/) movement. The workshop is repeated though the day, please choose just one of the three session times available.
A workshop for those affected by invisible illnesses – guiding you to express yourself through words, images or collage to create a collaborative zine on this theme. Led by artist and printmaker Xtina Lamb, your contributions will be compiled into a small DIY publication – a ‘zine’, to be printed on INTRA’s Risograph machine. The zine will be available free to visitors of the Sick! exhibition at Sun Pier House in Chatham, Kent in August.
We’ll supply collage materials, typewriters (old school!), drawing supplies, glue, and will have lots of ideas to get you thinking about the ways you could contribute to the zine. Bring along any extra materials you’d particularly like to use to create the pages, or if you have sketchbooks or notebooks of writing – those would be great for the workshop too. But you don’t need to be a fantastic artist or an accomplished poet to take part, if you have experiences of invisible illness (either from your own ill health or those close to you), we would love to include your contributions.
Help to create a large piñata, decorate the outside to represent the challenges of living with invisible illness and make colourful, positive, fun messages of love and hope to fill it with. The piñata will be on display in the windows of INTRA in the run up to the Sick! Living with Invisible Illness exhibition, and smashed open in an act of defiance for the launch event. Hit out against the difficulties of living with invisible illness and be showered with positivity in return.
This is an all day workshop and you can just drop in throughout the day, but if you would like to reserve a place please choose an arrival time.
The emotional and psychological experience of chronic illness is increasingly important to how doctors understand it.
Scientific images typically come from advanced imaging: MRI, CT, microscopes, and more. But the winner of this year’s Wellcome Image Awards, which designate the best scientific image in the fields of medicine and biology, stands out from photos of mouse retinas, pig eyes, brain language pathways, and parrot blood vessels. That’s because it’s not a photograph at all–it’s an artistic illustration of one man’s experience with chronic Crohn’s disease.
The illustration is a dark depiction of living with chronic illness. It focuses on a skeletal figure, designated “Stickman” in the work’s title, that sits atop a stone and makes a curious, aching gesture at the viewer, meant to convey chastisement at the artist for using his disease for inspiration. Framed by a regenerating tree and a hare, the image ultimately portrays a glimpse of hope amid the purgatory of pain. Rendered using computer graphic imagery, the image instead appears almost like an etching, reminiscent of the black-and-white engravings of Dutch artist Albrecht Dürer.
The winning illustration’s creator does commercial work in editorial, advertising, and book cover design–including for clients Saatchi & Saatchi, Penguin Books, and the BBC–and prefers to use his pen name Spooky Pooka for his personal illustrations. Pooka was diagnosed with the incurable Crohn’s disease two years ago, but he’s likely been battling it for most of his life. Seeking catharsis, he turned to art to represent the physical, emotional, and psychological toll the disease has taken on his body and mind over the years. He started drawing Stickman, whom he describes as an alter ego or archetype, about a year ago.
“Pain and nausea take you to a different place where you feel like a different person,” Pooka says. “He’s constructed out of sticks that I’ve modeled, which is a good metaphor for me, literally feeling like you’re made out of sticks.”
The Wellcome winner is the final in a series of six illustrations, all depicting the psychological reality of living with Crohn’s. One illustration in the series depicts the TNFa molecule, which is responsible for initiating the phase reaction that produces inflammation, the biggest factor in Crohn’s disease, which Pooka illustrates as a large stone monolith hanging over Stickman. In another, T-cells are depicted as an army of attackers, each with eyes–a nod to how easy it is to anthropomorphize disease, imagining these cells as vindictive.
But Pooka’s illustration of Crohn’s paints a different story than these other historically motivated images, precisely because it focuses so deeply on one person’s experience, validating the idea that a patient’s perception of disease is worthy of attention and understanding–and actually provides an important perspective for scientists and doctors who are looking for cures. The human experience is too nuanced for any high-resolution microscope to capture.